An American Werewolf In London Deleted Scenes Page

A shot of David spitting out the severed thumb of his victim from the London Underground. Lost Dialogue: The Phone Call Home

The original script and early cuts featured a much longer conversation between David and his victims. The dialogue included more bickering among the ghosts regarding the logistics of their undead existences, as well as more graphic descriptions of how it felt to be eaten alive. Furthermore, the fictional pornographic film playing on the theater screen—titled See You Next Wednesday , a recurring Easter egg in John Landis’s filmography—originally ran longer. The fake movie featured extended, highly parodic dialogue that mirrored David’s internal crisis, but it was trimmed to keep the focus strictly on the ghoulish conversation in the row seats. 5. The Homeless Men and the Tramp Attack

While not a "deleted scene" in the traditional sense, the ending remains a point of historical discussion regarding what could have been shown. Landis intentionally chose a sudden, jarring cut to the Marcels’ upbeat version of "Blue Moon" to act as a "sick joke" punchline to David’s tragedy, opting against a lingering emotional coda.

Over the years, various Blu-ray and 4K UHD anniversary editions (most notably from Arrow Video) have unearthed fascinating bonus features, outtakes, and interviews regarding these scenes. However, the fully edited, finished deleted scenes have never been restored to the film. an american werewolf in london deleted scenes

The intimate scene between David and Alex was originally longer and more explicit but was toned down to avoid an X rating.

In the theatrical version, the movie cuts away before the attack, and the men later reappear as ghosts in the porno theater. Why it was cut:

: Realizing he is a monster, a desperate David calls his sister to say goodbye before attempting to slit his wrists with a penknife. Mastering Errors A shot of David spitting out the severed

Landis cut the entire montage because it leaned too heavily into The Twilight Zone aesthetic. He wanted the horror to feel grounded in reality, not expressionist nightmare (except for the explicit dream sequences). Only two frames of this montage survive in the trailer for the film.

An extended version of the "Stay off the moors" scene included more explicit foreshadowing.

The most famous "lost" footage is an extended sequence featuring the werewolf attacking three homeless men (tramps) in a junkyard. Furthermore, the fictional pornographic film playing on the

Yet, for decades, horror cinephiles have whispered about a longer, more disturbing cut of the movie. While the theatrical release clocks in at a lean, perfectly paced 97 minutes, significant portions of footage were left on the cutting room floor. Some scenes were trimmed to keep the pacing brisk, while others were aggressively excised to escape the ratings board's dreaded X rating.

According to John Landis and various film historians, much of the cut negative footage was lost or destroyed over the decades due to standard studio storage practices of the 1980s. What survives are primarily production still photographs, promotional slides, and silent dailies.